Romeo and Juliet
“Reed just about stole the show as an outrageously funny Mercutio, wildly gesticulating and bringing his clownish personality into a believable embodiment.”
-Rebecca Rafferty
Rochester City Newspaper
Precious Little
“Julie Reed, as an insensitive greenhorn of a genetic counselor, hit the nail with her precise comic timing, weaving much wry humor into this energetic and well-paced performance.”
-Brandon Ho
The Cornell Daily Sun
Nice People Dancing to Good Country Music
“Julie Reed is quite lovely in her caved-in awkwardness, looking for a spiritual center, looking to stop the world from being a series of philosophical questions. Like the rest of them, she’s tired of talking and simply wants to be.”
-Paul Hansom
S/he
“The acting is very good…Julie Reed, takes Lindsey from confused adolescence to budding maturity…unusual and intriguing performance.
-Judith Pratt
Lansing Star
“The actors do great work representing multiple characters…the work begins and ends in a tattoo parlor, and each scene in between finds the title character, Julie Reed, moving towards a more complex understanding of her own identity… Conceived by the International Culture Lab, the production feels as concise as a Twitter message, but is more revealing and profound than most plays twice as long… S/he is a great work of art about translation, a powerful new play that should spark many important conversations.”
-Luke Z. Fenchel
Ithaca Times
Yentl
“Julie Reed, as a very loving frustrated Hadass, shows inspiring awe and devotion.”
-Cliff Kasden
Brooklyn Reporter
The Jealous Husband
“The energy that the cast brings to the production is palpable. Each character is uniquely absurd and each actor brings out this absurdity to the fullest. In the most climatic moments the characters move almost as a whole and each individual action paces seamlessly into the respective reaction. From the eccentric 17th century costumes to the sexual innuendoes, The Jealous Husband is hilariously well executed and surprisingly relatable.”
-Caiden Leavitt
The Cornell Daily Sun
Love’s Labour’s Lost
“Meanwhile, as a subplot, the pompous knight Don Armado competes with the country bumpkin Costard (Jeff Guyton) for the affection of the slut Jaquenetta (Julie Reed) as the bookish sops Nathaniel (Ian Harkins) and Holofernes (Sonja Lanzenjer) add bawdy commentary.”
-The Cornell Daily Sun